Monday, November 12, 2012

Blog 3: Dominant Ideologies in Advertising



            Stuart Hall defines ideology as the “images, concepts, and premises” that provide the framework through which we “represent, interpret, understand, and ‘make sense’” of some aspect of social life.  Hall says that ideologies consist of specific, deliberate concepts, which are then articulated into a distinctive set or pattern, and ideologies are transformed when articulated differently.  Ideologies also predate us as individuals, so we form social constructions within existing ideologies, but they are often unconscious formations.  Lastly, ideologies use discourses that feel natural to subjects, and in effect construct positions of identification and knowledge (81-82). Mass media forms are important in the production, reproduction, and transformation of dominant ideologies.  Media can be a platform through which ideologies can progress and change; or media can be a source of reinforcement of dominant ideologies.  The following media objects represent dominant ideologies articulated through both print and commercial advertisements.
            This advertisement launched by Nivea in 2011 was criticized for its overt racism and quickly removed.  The advertisement shows a clean-cut black man getting ready to throw the head of an African American man with an afro across a football field.  It reads “Re-Civilize Yourself” and “Look like you give a damn”.  In this ad, dominant ideologies of black men are represented.  It represents this idea that there is a need for black men “re-civilize” themselves, implying that they are uncivilized in the first place.  It represents nice clothes and a clean shave as the “civilized” black male, who is then throwing the head of the “unvcivilized” black male, as to symbolize that he is rising above that version of himself, and that he is superior.  The “uncivilized” black male is represented with an afro and a beard.  The advertisement is overtly racist, as Hall defines as an occasion when a racist argument or view is directly addressed.  It is confronting how black males need to revise themselves to be considered more “civilized”, and provides an example of what each side looks like.  This Nivea advertisement also uses inferential racist ideology through “unquestioned assumptions” about black males (83).  The ad is assuming that black men need to be civilized in the first place, and that this clean-cut, well-dressed version of a black man is more desirable.  This message is unconsciously racist because they are based on these unstated and unrecognizable assumptions.  In the end, this Nivea advertisement reinforces dominant ideologies of black men.



            The infamous Burger King commercial featuring Mary J. Blige and fried chicken stirred enormous controversy last year as being racist.  Mary J. Blige enlightens customers about the new crispy chicken wrap with an R&B ballad.  There are representations of African Americans and stereotypes about their culture.  The popular stereotype that black people like fried chicken and fast food is illustrated here.  Mary J. Blige’s R&B styled song about fried chicken and just Blige herself support this dominant ideology of African Americans.  As Hall states, ideologies work by using discourses that feel natural to their subjects, so this commercial uses stereotypes of who eats fried chicken in accordance with this popular, dominant ideology of African Americans. (82). I think that Burger King very well may have purposely used these stereotypes in parody as a way to challenge them, but they really only made these ideologies stronger.  Whether overt or inferential, dominant ideologies about African Americans and the food they consume is reinforced through this advertisement.


            Burger King also recently launched their campaign advertising breakfast with the “Manthem”, as we looked at in class.  I remember when this commercial first came out, and thinking how blatantly sexist it was.  It represents masculinity with food consumption, specifically meat.  It says that men specifically have this need to eat more meat, and blatantly attaches meat with “being a man”.  It shows a ton of men marching down a city street doing a number of “manly” things, such as not settling for “chick food”, punching another guy, flipping a fan over a bridge, and of course eating a Texas Double Whopper.  Wesley Buerkle draws on this idea of eating meat as being gay or “un-ladylike”.   He discusses how in our culture there is a link between meat consumption and masculine identity (78).  The “Manthem” represents this dominant ideology that masculinity is defined through food consumption, and that eating meat is a “man” thing.  It genders something so common as eating, supporting that women eat “lighter” foods, and less.  Buerkle notes that men eating goes unnoticed, while women feel more pressure to abide by social norms for proper consumption (80).  In our society, dominant ideologies focus attention on women’s physical appearance and body image, and thus, women’s consumption of food isn’t a popular idea. 



            Similar to this ideology emphasizing the physical appearance of women is the Dove “Campaign for Real Beauty”.  The idea behind this campaign was to celebrate “natural physical variation” among women and to inspire confidence in women to be comfortable with their bodies.  Instead of your typical skinny models, these ads used heavier women, older women, women of all races, and women without makeup.  Dove’s campaign really sought to challenge the dominant ideologies of beauty.  It deliberately represents different standards of beauty for women, and asserts this idea that these women represent “real” beauty.  In her article on race representations in Ugly Betty, Jennifer Esposito briefly discusses how beauty and femininity is defined as “white, thin, upper-class” (96).  This very narrow conception of beauty can be seen in just about every other typical advertisement.  Dove combats dominant representations of beauty by teaching women to be comfortable in their own skin, what Stuart Hall would call “breaking of the chain” (81).  On the other hand, one could argue that by differentiating these women, the dominant ideology is reinscripted.  The campaign has also been criticized because Dove’s parent company, Unilever, also produces AXE products and “Fair and Lovely”, which is a skin-lightening product for women with darker skin.  Regardless, I still think that Dove’s Campaign for Real Beauty had positive intentions and was productive in challenging dominant ideologies of beauty.

            In these advertisements, different ideologies are conveyed through media outlets.  While some reinforce ideologies (Nivea, Burger King), others challenge dominant ideologies by portraying groups of people in unconventional, atypical ways (Dove).  Advertisements, as well as other media, play a huge role in the distribution of these ideologies and influence how we think about certain groups of people.  By recognizing these sometimes very discreet ideologies, we can alter our representations of things like race, gender, and beauty to develop an ideology that better serves individuals.
            







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